Sunday, April 4, 2021

Guided Meditation on a Square of Sod

Today I was supposed to picture myself sitting in a garden. I sat cross-legged, pressed my hands down into the imagined grass, and realized it was sod. Why is it always sod? Uniform, suburban grass squares. Perfectly conforming. Predictable. Status quo lawncare and the only ground cover the neighborhood association will accept, and yes, you should treat it with chemicals that make the earth recoil because nothing matters but your reputation.


How can I pray on a square of sod? Nothing this perfect is real. What kind of meditation drops me down beside a paved driveway under a tree that is too small and perfectly pruned to offer shade? Why can’t I conjure a garden as untamed and raging with life as the first one? A tree in its middle bursting with life and death and all the manifold possibilities in between?


* * * * *


I have always been looking for the garden. The first one. The wild one. The raging, provocative, scandalous, untamed garden. I have always been trying to move toward it. I have always landed on a square of sod.


We will move again soon. When we move, it will not be to the city--that pulsing center of human variety. Not like we dreamed it. Not even a college town--erudite, in a self-aware, comfortable way--where I am certain things smell like books and spices all the time, and everything is (we naively imagine) always wonderful and warm and open. 


When we move again it will be, inexplicably, to a new square of sod. Endless, evenly textured green. God forbid our children’s bare feet find pine needles or splintering branches. God forbid the world breaks through in some way. 


When we move again the house will look like all the other houses. The world will be safe and confined. An even hum of uninterrupted ease (carefully controlled by local noise regulations) will enfold us.


How can I live on a square of sod? How can I take cleansing breaths (in through my nose, out through my mouth) and press my hands down deep into a world that matters when everything that beautiful has been trimmed away, cleaned up, washed over? What beauty is there in a world where every house (every human), every inch of grass looks like every other? My children have jagged edges and wild colors. They are bright and loud. I am (or at least I was once) bright and loud. I think the broken pieces, the outliers, the reminders of death are beautiful. How do we continue to live in this careful, pastel, muted space, where all the broken things, the dying things, the unfathomable things, are hidden beneath broad swaths of grinning, monochrome green?


* * * * * *



Deep breath in through the nose, out through the mouth. Press your hands down and look again. The grass is soft and cool. The garden is not what you expected, but it is breathing. Tiny beetles clamber over your fingertips. Centipedes turn over bits of dirt and there are dead things woven into this tangled temple of root and soil. If you listen, you can hear how noisy they are, and how the wind pushes past, changing everything, all of the time. 


The real garden will break through, even here. And you will be here to witness it, to
breathe out gratitude as it eats away at the endless perfection, clod of dirt by clod of dirt. You will conspire to help it bear witness to the reality that nothing is ever as safe or unchanging as we’d like it to be--that the beauty of all of this, of any of this, is in the glorious things that will not sit still, or keep quiet, or be draped over in perfectly cut squares that won’t cut our feet or reveal the relentless work of insects and time.


You can’t live here forever, but you can live here for now. You can take deep breaths in and out and let the sun hit your face (imaginary sun, real sun, it doesn’t matter, it all blurs together). Your bright children with jagged edges will cut out a place for themselves here (they already have, haven’t they?), and you’ll dig deep enough beneath the surface with those hands of yours that keep pressing down and down to mine the meaning that’s churning beneath it all. And when they tell you to imagine love coming up beside you, you won’t be able to do it (you never can), but you’ll feel a gentle hand on your back and you’ll hope (not believe anymore, but hope, at least), that love can live anywhere (we can’t bury it forever; it is risen, rising), that prayer (whatever prayer is) can be uttered even in the barren places. Even on this square of sod.







Thursday, March 26, 2020

a coping mechanism

I am trying to imagine a place for myself
for the people I love
in this future we would
rather not step into

I am trying to make a place for us
beneath the still and calming sea

Where the water gently
barely
moves our bones collected
together
under refracted sunlight
as the world moves on

I am trying to imagine my future
as rest and peace
even if I am one of the drowning ones

If I imagine over
and over
(it is such necessary work)

the gasping
the desperation

until my eyes are sore
with looking

if I keep going until
my soul is too tired
to ache

the storm will settle and the waters quiet
I will see
just beneath the surface
the sanctuary I have created
for myself
for us

where sunlight is no longer
an insult
where breath is no longer a necessity
where a rainbow can still
somehow
be a gesture

of love
and
light





they say

they say it is just like drowning
letting your lungs fill up with
dirty water                                                 
having the audacity to gasp for breath         they're making hospitals in
when there is not enough air                        parking garages
here                                                              they're turning ice rinks
for everyone                                                 into morgues

they say it is like drowning
and all at once
You are the God of Noah
again                                                             they say     
pouring living water                                      little bits of RNA can live on surfaces
on the busy world                                         for up to 17 days
                                                                      don't touch
                                                                      hold your breath
shh
quiet
there isn't room to save you all                 
climb on two by two                                    that's where they found it
there's just enough space                             on a ship
to save a few                                                they say ships
hang on tight                                                are incubators of all kinds of life
cling to life

the world will be made clean and new

was a line from a Sunday school lesson     
I was supposed to teach once                       they say
line up the wooden bears, and monkeys,     the dolphins
and snakes                                                    play in the canals
fit them into the wooden ship                       the water is so clear
just so                                                            now

stay inside while it rains                              they say it could come in three waves
hold back the pigeon                                                                 
                                                                 
the sin that polluted the earth will be
gone                                                             the animals coming back
some                                                            was a hoax
just some                                                      the stories with the elephants
had to be sacrificed                                      and the swans
plunged beneath the surf                              are what we tell ourselves to make
                                                                     meaning as we grieve

just some lungs will fill                           
suddenly                                                      cloudy white in the x-rays
just some                                                     it happens so fast
                                                                     see?
see?

the earth is breathing                                  the air is clearer now   
again!                                                          over Wuhan, over New York City

the world is being made clean and new   
                                                                   I don't care
                                                                   we never learn
                                                                   I hate this baptism

was a lie I would not speak                       he says         
to the wide-eyed children                          fill the churches on Easter,
in the circle on Sunday                              it's a beautiful day

when we finally test the waters                 they say
when we finally release                             the rate of infection
the pigeon and pray                                   will be exponential
I do not know if I will be there                  will depend on how well
or not                                                          we wait, how well
                                                                   we listen

I do not know if I will look,
sweaty and shaken
for a branch
a sign
that the waters have subsided
that the air                                                  large droplets containing the virus
is safe to breathe again                               can travel up to six feet
e,merge from the ship on shaky legs          stand back

or if I will already be lost                           some
beneath the waves                                      just some

I only know that
any sign of this cruel covenant
emerging bright and clear
over the spreading calm
will always be
accompanied by the bones
(washed clean and new)
of those who did not have the luxury          they say the elderly
to fill their lungs                                          would love to sacrifice themselves

let these bones cry out

the world is being washed                          for the economy
clean                                                            to rise again
and new

is not a good enough story                         I will fight it with my last, gasping breath
                                                                 
you don't get to superimpose                     anything not made of love
a rainbow on a                                           is a lie
tragedy

A sound like singing

My jaw had been wired shut for so long. 
I had a dream where it was broken.
Shattered and reset
So the words could escape in a rushing breath
Open and flowing
Like singing


Now 
In the midst of this heavy-hanging sadness
It unhinges wide for mourning
I cannot shut out the sounds of 
My own grieving 
When I press my teeth together
So my children will not hear
The wail I hold back threatens to break all my bones
With shaking


Now 
As cruelty after cruelty is being revealed
It opens wide for rage
Shouting out loud 
To hold back the callousness
And injustice
As if I could create an army
With my words
To shield the vulnerable
To protect every single precious life.


What I wouldn’t give 
To go back to sleep
To crawl back inside that dream
To find the purpose in those shattered bits of bone
To weave this grief and this rage
Open and flowing

Into a sound like singing




this is not meant to be poetry this is just how the words come out

I wonder if cleaning your room is the best way to spend the last of your time here. 
If it’s better to clear the piles of dirty clothes from the closet floor
To methodically remove the layers of dust from the nightstand
Than it is to sink deep 
Into a poem 

If it is better to worry about what they will find under the bed
(used tissue, unused picture frames)
Than to worry about what they 
Won’t find
In the countless empty journals
(with the covers always too beautiful for your words to defile)

Is it better to empty the overflowing trash bin
Or to pour out a lifetime’s worth of 
Pent up words
Unleash what you spent years
Holding back Behind tight-pressed lips?

Thursday, July 26, 2018

Notes to Self on Living With Depression (in the garden, as the sun sets):



1) Weed the garden

2) Weed the garden, but this time, do not imagine yourself as the weeds

3) You are not in the wrong place at the wrong time; you are not taking up space that does not belong to you; you do not deserve to be uprooted

4) Stop trying to conjure up a god more merciful than yourself--a god merciful enough to leave you in the garden "even though." Any god worth being God is already more merciful than you, and even you cry as you pull the choking weeds back from the struggling rosebush (she needs your help; she is strong, but prickly, and sensitive to her surroundings)

5) Do work in the moments when you can. Use your hands. Accomplish something your eyes can see. Clear away the weeds, even though it is hard, even though it hurts (your hands, your heart). The weeds will choke the tender growing things, if you let them. (Don't let them. Don't give up)

6) Notice. (Haven't you noticed?) The beautiful things are fragile. The beautiful things need your help

7) Just remember. Please remember. You are not a weed. You will not ruin everything. You are not a god. It is not your all your fault (I would say it is not your "responsibility," but you only ever hear "fault," anyway, don't you?) You are not the weeds. You did not make the weeds. They are not here because of you. But they are here. And they will press in. And they will come back again and again. Even when you try

8) Keep trying anyway. Keep growing. Get help. Find sunlight. Take up space. Remember you are a flower


Wednesday, September 13, 2017

even when it doesn't look like light


We left our Christmas lights up this year. Not outside--we never put any outside--but the ones we have strewn around our living room to make it look like a college dorm. We need them in the winter. We don't have a lot of windows, and the warm, white twinkly lights chase away the darkness that settles in so quickly. We keep them up after Christmas every year to keep the grey away, to keep the depression away, to help us pretend that the minute we set foot outside, it won't be into biting winds, slick black slush, and an endless slate-colored sky.

But this year we didn't put them away in February, like we usually do. This year we needed them longer. Maybe it was the sudden upsurge of racism and violence that infiltrated the news, and overheard conversations, and our social media feeds. Maybe we needed to remind ourselves that, just like all of the old hatreds can live just beneath the surface, so can the light, hiding indoors in tiny, tacky bulbs, helping us to remember that the darkness isn't the whole story.

I thought about taking them down yesterday, to make Christmas more dramatically different (I'm all about a sort of secular liturgical cycle), but with the seemingly unending parade of natural disasters, and modern horrors ("Mom, what's a holocaust? What's genocide? Do those things happen any more? They don't, right? Dad, what's a missile? Ryan said nuclear weapons can reach us. They can't right?"), it seems better just to let the light be light.

*     *     *

             


In preschool Sunday school, when we talk about light, we talk about how it can be changed. We talk about how, even when we blow our candles out, the light is still there, swirling around us as smoke. And now it can be everywhere, all at once, even when it's hard to see. The kids look at me like I'm crazy when I say this. That's not light, it's smoke. And in the darkened classroom, swirling amidst the toys and sand tables, it's really hard to see.

*     *     *

I went to church on Sunday alone. The children had ballet auditions to attend, but I was teaching Sunday school to some of the youngest members of our church. On the way, I had one of those moments where the you can suddenly see how big everything is, how connected, and terrifying, and unbelievably beautiful. Where the past, present, and future, and all the possibilities in between, rush at you with startling clarity, and whatever is out there that connects these things comes at you like a bolt of lightning and knocks the breath out of your lungs. This happened while I was driving on the freeway, and I almost veered off the road from the force of it. I spent the rest of the drive shaking and gasping, and watching every tree, and car, and bird shine in a new way.

*     *     *

I spend most winters deep in depression. It's seasonal, but we can't afford those therapy lamps, and they seem like a lot of work anyway. Besides, the heaviness seems appropriate, like a blanket of snow. It melts away when the days lengthen, and everything beneath the surface comes back with a renewed vibrancy. The most important thing to understand is that in both the darkness and the light, I am fully myself.

*     *     *

When I walked into church by myself on Sunday, I was greeted by one of my tiny students. He was pointing at one of the ceiling lights in the hallway, staring up at it, mesmerized. "It's a light!" he exclaimed. "It turns off, but then it turns back on!" This concept was occupying his whole mind, he kept staring, and repeating what he knew about the light. "Someone can turn it off! But then turns it on!" I crouched down to his level, "Did you know that our story in Sunday school is going to be about light?" I asked him. "We are going to talk all about it today! I'm excited you're already thinking about lights!" He nodded sagely.


*     *     *


At church, I don't tell anyone about almost running my car off the road. I don't tell them that I saw the moment of my daughter's birth, and every other possible moment that could have been at the same time, and every possible future.  I don't tell them how often things like this happen to me. How sometimes I see things, and then later those things happen with uncanny accuracy. I am not out of my mind. I am not a religious zealot. I wouldn't want anyone to think that. It's just that sometimes things come rushing at me, and if I open myself up to them even a little, they move through me like lighting and leave me shaking and shining.

*     *     *

We sing "This Little Light of Mine" during circle time. The Sunday school children are kneeling on a rug covered in the alphabet and little, puffy clouds. They are laughing as they blow out the fingers they are pretending are candles. They are laughing as they use their hands to make bushel baskets that hide the make-believe light. We sing, "Put it under a bushel?" and then say, "NO!" and giggle because of  course we don't want to hide our light. Of course we don't. One of the children says that he is a car, and doesn't have a candle. I tell him that cars have lights too, and we talk about how everyone can show their light in a different way. He turns his lights on and off like blinkers. It is, of course, precious. I can't imagine any of these little ones hiding their light. They are all joy at merely existing. Or sometimes fiery flames of indignation over some small injustice. But always light. They don't know how to hide it yet.

*     *     *

At home, we don't replace our light bulbs often enough. when one goes out, we let the others compensate. And we grow used to the dimness, as if that's the way it should be. As if that's the way it's always been. My house is full of little patches of darkness, in the shower, at the dining table. On the rare occasion that we do replace a bulb, there is a great deal of celebration. "Oh my gosh, it's so strange to see the kitchen look this way! I didn't even know our bathroom could be this bright! Did you know our house could look like this?!"

I'll admit that sometimes the new, glaring light is an assault on my senses. Sometimes I want to go find a patch of darkness where the burnt-out bulbs have been left unaddressed, and blanket myself in seeming absence of light.

*     *     *

By the time we reach story time, I am no longer shaking. The existential electricity has shuddered itself out of my system and the world has lost a little of the supernatural vibrancy that it had earlier revealed through the dirty windows of my car. I get the children to be very quiet by asking them to feel the quiet inside of themselves. They sit impressively still while I light a big candle and read, "I am the light." They only wriggle a little as they patiently wait for me to light a smaller candle for each of them from the big light. They are entranced by the tiny flames. When some of the waxier candles go out, I relight them on the other smaller candles. I improvise to keep their attention. "Sometimes when our light goes out, we can get light from each other. See how even when we give light, we still have enough for ourselves?" I make a note to remind myself of this. I remind myself not to hide.


*     *    *


The days have grown shorter with a quickness I did not expect. I keep waiting for the depression to settle in with the lengthening darkness. It is an old friend. It has predictable habits. But so far, I have seen no signs of it. I have not turned down any invitations. I go out to lunch after church with friends, even though my family isn't there, and I don't even stop to ask myself why anyone would want me to eat with them in the first place. I go home and rest without any clawing, aching in my chest. So far, I am not hiding. So far, the light still looks like light.

*     *     *


There are times in class when we talk about light changing to smoke--how it's still there, but different--and I buy it. This time, when I extinguish the candles one by one, straining my eyes to see the smoke swirling around the room, I am as incredulous as the children. "The light isn't gone. It's just changed. And now it can be everywhere," I say in my magical voice. But I don't fully believe it. After all, didn't we just say we didn't want anyone to blow out our light or hide it? What is it worth as just smoke? How can it light up anything? We turn the fluorescent lights back on and get to work with playdough and sand. This is the kind of light we're used to. Steady and obvious. This is the kind of light we do our work by.

This is the only kind of light we pretend to know. But just like the world's darkness that we try to forget, there are other, hidden forms of light that we don't control with just the flip of a switch. There is the light we get from each other when our own is fading to nothing but a dim blue. This light takes work, and is imperfect. Sometimes in the process you get burned. You almost certainly will end up returning the favor. This light is less predictable than the fluorescent lights, but it is more precious.

There is the light that comes at us all at once in ways we can't describe. The kind that almost shatters us, but not quite. The kind that would have us write symphonies if we were composers, or poems, if we had that way with words. The kind that is so much light at once that we cannot help but see far, far more than we usually do. The kind people describe as religious experience. The kind that we keep quiet and don't talk about, because we are afraid we will sound crazy. Everyone knows that light should come from a light bulb, or if we're feeling extra spiritual, maybe a nice candle. Something we can contain and control. Something we can at least describe.

And then maybe, just maybe, there is light that doesn't look like light. Maybe when our light goes out, it doesn't go away. Maybe it changes. Maybe in the darkness it is still doing some kind of work. Maybe it is transforming. Maybe it is transforming us. Is it possible that when the world is so dark with violence, and disaster, and rumors of war that light seems inconceivable, it is moving quietly in disguise through spaces we leave for it?

This sounds like idealism, like a metaphysical optimism we cannot afford to have in a world that continues to throw the grit, and blood, and coldness of it's realism at us with as much force as ever. But maybe through all that we're the kid pointing at the light. "It goes off. And then it comes on again." The light is always there. It can always come back. Even if we do let it go out, it will not be contained. Even if we lie dormant under a pile of snow, and blankets, and despair, and claim the that the darkness has us forever, it will move around and through us in disguise and wake us up when the days are longer, and we will be lighter and freer than before.

I don't know that this is true, but know that I need it to be. So I think I will continue to leave my Christmas lights up for now, tiny bulbs of light joining forces with small candle flames and fluorescent bulbs and inexplicable epiphanies, arrayed against a world full of dark. And the light will shine in all of our darkness and--because it is both predictable and unexpected, because it turns off and then on again, because it is stealthy and subterranean and in disguise, because it is always there, even when it doesn't look like light--the darkness will not overcome it.